17th August – 30th September 2018
32 John Adam Street
Proud Galleries is pleased to present ‘Audrey Hepburn: Beyond the Screen’, a photographic exhibition displaying rare portraits of Audrey Hepburn captured by a selection of high profile twentieth century photographers. This collection brings together the work of Terry O’Neill, Norman Parkinson, Bob Willoughby, Eva Sereny, Mark Shaw and Douglas Kirkland; each celebrated for their distinct portrayals of Hepburn. Renowned for her progressive acting roles, stylish sensibilities and humanitarian endeavors, Hepburn remains one of the most instantly recognisable icons of the 1950s and has charmed generations since the Golden Age of Hollywood. ‘Audrey Hepburn: Beyond the Screen’ revisits classic and timeless portraits celebrating Hepburn’s legacy on the 25th anniversary of her death.
Audrey Hepburn’s acting career and influential fashions are widely documented, but lesser-known are the struggles of her early life. Born in 1929 to a Dutch baroness, Hepburn studied ballet throughout her formative years and had ambitions of becoming a professional dancer. Following Germany’s invasion of the Netherlands during World War II, Hepburn’s family suffered tragically during the occupation of her town. Hepburn relocated to London after the war ended where she was scouted during a performance of Cecil Landeau's ‘Sauce Piquante’, 1950. Her first leading film role followed three years later in ‘Roman Holiday’, for which she was commended with an Academy award, a Golden Globe and a BAFTA.
Throughout her lifetime, Audrey Hepburn achieved over 25 film accreditations and received awards including the Presidential Medal of Freedom in recognition of her charitable work with UNICEF. Hepburn’s son Sean Ferrer stated, “She never forgot the chocolates and the outstretched hands - the little acts of kindness to children like herself… She wanted to give something back to the world”. Hepburn’s philanthropic efforts and humanitarian work are representative of the generosity she displayed throughout her life; her legacy is continued by sons Sean Ferrer and Luca Dotti, who co-founded the Audrey Hepburn Children’s Fund in their mother’s memory. The charity develops a number of fundraising initiatives and seeks to promote awareness for vulnerable children worldwide.
Through a unique perspective and style, each photographer included within this collection captures Audrey Hepburn’s instantly recognisable appearance. Bob Willoughby’s portraits of a young Hepburn, fresh-faced just after the release of her first film ‘Roman Holiday’ are presented alongside Terry O’Neill’s youthful colour portraits which glow with a childish excitement and exude her playful sense of humor. Her memorable style is articulated through the classic fashion shoots of Norman Parkinson and Douglas Kirkland, as is her characteristic sophistication by Eva Sereny during the filming of ‘Always’. ‘Audrey Hepburn: Beyond the Screen’ exhibits portraits of Audrey Hepburn throughout her life and career, recognising her position in the history of popular culture as well as her contribution to society a quarter of a century after her death.
4th October-18th November 2018
32 John Adam Street
Proud Galleries is delighted to announce ‘The Kinks Are The Village Green Preservation Society’, an exhibition celebrating the 50th anniversary multi-format release of The Kinks’ sixth studio album, The Kinks Are the Village Green Preservation Society. On display is a selection of rare collector’s items including specially commissioned artworks by members of the band and vintage memorabilia, together with a collection of photographs documenting this remarkable period in the band’s history. Each work is hand-signed by surviving band members Ray Davies, Dave Davies and Mick Avory. ‘The Kinks Are The Village Green Preservation Society’ explores the album’s defiantly British sensibilities and commemorates what is now considered to be the high point of The Kinks’ outstanding career.
The Village Green was originally released by The Kinks in November 1968 and became the final album from the original quartet: Ray Davies, Dave Davies, Pete Quaife and Mick Avory. Despite a positive critical reception upon its release, the album did not perform well commercially, perhaps due to the band’s deliberate step away from the musical trends of the era. In retrospect, audiences have come to value the album’s timeless quality, with Pete Townshend of The Who describing it as, ‘Ray [Davies]’s masterpiece… what makes him the definitive pop poet laureate’. Defying the 60’s typical approach to rock ‘n’ roll, The Village Green offers an affectionate and charming ode to the countryside through vignettes of English life. The album is adored by fans due to its ageless wit and multi-layered musical innovation and has become a definitive piece of British pop culture, created by a band that refused to follow fashion.
The exhibition features photography from the album artwork photoshoot in Hampstead Heath, captured by established music photojournalist Barrie Wentzell. The original quartet lounge on the grass against the historic backdrop of Kenwood House, which, according to Wentzell, was “Ray’s favourite location to film”. Presented alongside prints and memorabilia is a special edition, supersized artwork produced by Morgan Howell to commemorate the album’s box set release. The artist reinterprets the bonus track WONDERBOY as a three dimensional sculpture in his trademark style, using paint and canvas to mimic the creases and wear of a 50 year-old vinyl sleeve. Admirers of the band will be given the unique opportunity to view and acquire a variety of these rare pieces, each hand-signed by The Kinks.
‘The Kinks Are The Village Green Preservation Society’ coincides with BMG’s 26th October 2018 multi-format reissues of The Village Green album, presenting an extensive collection of works relating to this iconic record. These include newly remastered CDs, LPs, digital albums and a beautifully produced Deluxe Box Set containing remastered versions of the original album on CD and LP, a wealth of previously unreleased bonus audio material, a hardback photobook with new band interviews and previously unseen photos, 7” singles and reproduced memorabilia. The exhibition aims to reintroduce the nostalgia of the Kinks’ most memorable album to a 21st Century audience and offers an insight into the enduring escapism the band created 50 years ago. When asked to describe the record, Ray Davies has said that; ‘everybody’s got their own Village Green, somewhere you go to, when the world gets too much’.
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